Bibliography
Ager, C. (2023). Real World Lecture with Charlotte Ager.

Doyle, S., Grove, J. and Sherman, W. (2018). History of illustration. New York, Ny: Fairchild Books, An Imprint Of Bloomsbury Publishing.

Gabriele, G. (2021). A deep dive into our editorial illustration process. [online] Kontinentalist. Available at: https://medium.com/kontinentalist/so-if-youve-been-following-kontinentalist-for-a-while-you-may-have-noticed-that-we-ve-been-fe9149bb8453 [Accessed 25 Apr. 2023].

Levenson, J. and Fields, O. (2021). Illustrator Olivia Fields has mastered the craft of editorial work. [online] www.itsnicethat.com. Available at: https://www.itsnicethat.com/articles/olivia-fields-illustration-120721.

Lossing, Abbey (2020). Animation for illustrators: how to bring your drawings to life, and why your career will benefit. [online] www.itsnicethat.com. Available at: https://www.itsnicethat.com/features/animation-for-illustrators-abbey-lossing-skillshare-sponsored-content-220720.

Macdonald Oulds, O. (2023). Real World’ Lecture and Seminar with Ollie + Serena.

Rees, D. and Blechman, N. (2014). How to be an illustrator. London, United Kingdom: Laurence King Publishing Ltd.

Selby, A. (2022). Editorial Illustration. Bloomsbury Publishing.

Conclusion
This research has helped me consider parts of editorial illustration I have never thought about before like the importance of picking a commission that ‘fits’ you as I’ve realised you need to be able to engage with the information that you’re given to a certain extent to be able to generate successful ideas. It has also shown me the appeal of having moving images in your work and it is something I want to try experimenting with. I like that you have a brief since I sometimes find being able to pick any subject too overwhelming, I also like having a short time scale for when work needs to be done as I think I work better under pressure as it stops me from overthinking or overworking a piece. If I were to do editorial illustrations as a freelancer I would need to improve on how I communicate my ideas/respond to feedback as I've realised how important communication between an illustrator and an art director is.